NERAKI 2…in Volos, Greece!

Thanks to Valya Stergioti, Environmental Interpreter and MELDER, Neraki, our children’s workshop, was organized for a second time in Volos, Greece on July 8th for 20 children ages 6-11.

Image Courtesy of Steki Paidou

Here’s a bit about her experience:

“The overall response, both from children and grown-ups who watched and helped in the implementation, was once again positive.

The highlights were the maps (a huge success even for the younger children). During the game, 3 out of 4 groups were very excited about building airports to increase local tourism..Unfortunately, for them, all “visitors” decided to leave these villages due to noise pollution and visit the one village that had refused to build the airport.

Another highlight was the stone interview. They had many questions to ask the stone and not one of them (not even the olden ones) could resist the “magical characteristics” of it!

And of course, they very much enjoyed the 20-year project…we had theater, music, collage and painting.”

Image Courtesy of Steki Paidou

An Inside Look at “Eyes of Truth” by Aggelos Pouliasis

Image Courtesy of Aggelos Pouliasis

The circumstances of my contact with the action “Eyes of Truth” came to support my personal need for a new perspective of the phenomena, where all the more people in Europe or generally in the West, have declared an economic and political crisis. In my opinion, the crisis is first and foremost social and rooted in a neglected moral sense. I refer to the ethics of coexistence and mutual progress. Way before Europeans (including amongst them the Greeks) faced an economic crisis, they accepted a lifestyle that was dependent on and still maintains a provocative and immoral stance in the vast majority of the inhabitants of this planet. The quality of life on the West, the “evolution” and the “Progress” of the Europeans, not only became indifferent to the welfare of it’s citizens in the so-called third world, but actually was, and is a supporter of their misery.  The synchronization (anything but random) of the downpour on European land from immigrants in search of progress, and general economic and political crisis, in my eyes seems like a perfect irony!

Image Courtesy of Aggelos Pouliasis

The eyes of truth, in my opinion, sneer this situation and reveal with the most simple and direct way the lack of general social consciousness of the western world and the need to establish a new ethical framework.

Image Courtesy of Aggelos Pouliasis

The diptychs of children’s faces in the city center of Athens, testify to a single truth: The antidote to crisis is the respect and coexistence. Only then will we deserve (Westerners) to shout that we are the 99%!

AGGELOS POULIASIS

MELD and Cafebabel Greece join forces in Athens!

Melding Stories: Meet Frini Tsagkari

It is said that inside every single one of us there’s a driving force that leads our life and shapes our character. Some call it talent, others call it passion. I’d rather not give it a name, but instead hear its voice and follow it.

This inner voice is the one that led me to the discovery of art and its endless ways of coming to life, at a very young age. It’s that same voice that showed me that passion is where your heart is, and my heart was definitely beating faster in front of a creative work. And it was again this voice that led me to MELD.

Curious about anything fresh and radical, I always keep a camera and a notebook in my bag, I was lucky enough to come across a bunch of people with the same spirit. People deeply inspired and truthfully dedicated to a worthy purpose: bringing awareness to the public about environmental issues through the power of art. And I was all of a sudden captured by this innovative project and no other thoughts had place in my head, rather than: I’m in!

Image Courtesy of Frini Tsagkari

I’m in this creative crusade that has set its purpose on making each one of us conscious of where our actions are leading to, of what world we will leave to future generations, of the enormous importance of ‘small’ things around us, like water, or if you prefer, NERO.

Image Courtesy of Frini Tsagkari

So, MELD’s Project NERO is all about the unique attempt to build a connection between art and environmental awareness. It’s not about artists, nor about scientists; it’s about all of us: the ones who know and the ones who don’t, the ones who care and the ones who don’t. It’s a creative effort to prove to every citizen of this city the importance of caring, the importance of preventing, the importance of protecting what you have, before it’s too late. Athens is a city of beauty, hidden under wrong deeds. Who says it cannot change? Who says we cannot become alert and conscious? Let’s try, let’s act, let’s meld!

Frini Tsagkari’s Blog: thecommonsuspect.blogspot.com

NERAKI…becomes a reality

Image Courtesy of Ioanna Ralli

We are happy to announce that NERAKI, our 2-day children’s workshop, was brought to fruition in early June in Athens, Greece.  Various individuals came together to make this workshop a reality and we’ve asked each of them to write something about their experience.

The Neraki workshop was full of moments to remember: groups of happy students arriving at GAIA, ready to play and learn, a sudden recognition during the slide show “hey! That river is what we see from our school!” or “this is right by my house!”, children discussing Alexander’s work, Ioanna’s interpretation of a Kifissos’ stone life, children (and teachers!) arguing if they should “build an airport near their river as part of a development plan”, children creating in paint, 3D images, or even music the river’s future and of course children dancing break dance (!) to positively evaluate the workshop.
In all aspects, Neraki was a success. And when we asked the children “did you learn something new today about Kifissos?” all children ran around in the room to show their answer: a positive yes!
Valya Stegioti, Environmental Interpretor and Neraki Leader

Courtesy of Ioanna Ralli

For me, it has been again an extremely beautiful experience, how at the same time directly and deeply smaller children (if allowed to) access sometimes even on a so-called “abstract” level very complex questions. In a certain sense, much more easily in fact  than usually adults are able to do. Directly: by perception and experience, and by their reflection of those, not the other way around – or at least in another balance of those components than grown-ups. Together with the incredible explosive energy generated in a space full of these little visioneers you quickly get a mix, where everything is on the table for possible transformation IN relation to (in the case of this workshop: urban) reality… great! I enjoyed it a lot.  And I felt we all did. The actual work together (also with Valya!) has been a pure pleasure.
Alexander Schellow, MELD Artist for Project Nero and Workshop Leader

Image Courtesy of Ioanna Ralli

For me, the beauty of NERAKI was seeing the positive reactions of the children.  Valya and Alexander spent a great deal of time designing a workshop around the Kifissos River that would both engage and inspire the children, and it was wonderful to see the 7 and 10 year olds respond with the same interest and curiosity.  Even at such a young age, children’s inquisitiveness is a reminder of how important they are in shaping our society.  I loved seeing them laugh, but I also loved seeing their brains process the information.   As they talked about their experiences, you could see how aware they were and hopefully NERAKI will stay with them, as a small reminder of the importance of water.
Thank you to everyone who made NERAKI possible and I hope that we will have an opportunity to repeat this beautiful experience with more and more children in the future.
Corinne Weber, MELD Co-Founder

Image Courtesy of Ioanna Ralli

Unfortunately I wasn’t able to attend to the event, duty called :-P
I’m looking forward to seeing you, and I really thank you all for the opportunity to be part of such an important and beautiful project. And I hope this will be continued.
Melding together was a great experience :-)
Teddy Reglis, Music Composer for Neraki

Courtesy of Ioanna Ralli

I would say that Neraki is probably one of the most rewarding and important parts of project NERO.  In fact, children are the catalysts of the future.  The care and love Valya and Alexander have given to that part of the project was/is more than apparent and was directly translated by the children’s reactions!  They did not want to go, they wanted more!  It was incredible to see how many made the effort to communicate and challenge the artist directly…Of course, we thought that maybe the work of Mr. Schellow might be too complex and abstract at points for them to grasp it, but that again was another refreshing moment: children with their ingenuity and their free imagination related to the river even in a closer way that we could (they live the everyday life of the river).
Today, education is one of the most important components of our civilization and when you can pair it with a creative process and environmental content the results are incredible…respect and love for the other and obviously for the well being of our earth becomes an intrinsic part of our essence… We hope to bring, slowly but surely these workshops as part of the official curriculum …
Yvonne Senouf, MELD Co-Founder

Image Courtesy of Ioanna Ralli

It is always a learning experience when one is  involved with children. Their freshness, purity and easy access to the imagination is a pleasure each time. And then when you are faced with the effect schooling -or growing up- has on them it is each time a shock. They know more but the spontaneous access to the imagination is gone. To ponder on…
Ioanna Ralli, Artist and Photographer

Image Courtesy of Ioanna Ralli

I’m glad I had the opportunity not only designing graphics for the “neraki” but to interact as well with the kids who took part in the project. I’m sure that everybody had a great time and that the educational part of the project was successful!
Stavros Kypraios, Graphic Designer & Illustrator

Image Courtesy of Ioanna Ralli

“It is really wonderful to have experienced the positive energy that was generated during the NERAKI workshop. The childrens’ curiosity, laughs, questions, guesses, thoughts, sparkles in their eyes, smiles, facial expressions were an encouraging small bright and colorful oasis in the midst of the very grey times we are going through. I hope that the children’s clarity of hopes and wishes for a clean and “true” river will be a contribution towards a better and environmental-friendly future.”
Ioanna Lemoni, Goulandris Museum of Natural History, Athens, Greece

Image Courtesy of Ioanna Ralli

Thank you to all of our collaborators for a wonderful “melding” experience.  We look forward to the next one!

De-constructing the Kifissos | The Engineer

In our third story of our series «De-constructing the Kifissos River», Alexander Schellow meets and engineer.

Where Kifissos meets the sea – a hot and abandoned place between a harbor on one side and decomposing ship-wrecks on the other side – sometimes it’s possible to see man fishing in the water. Even people canoeing appear from time to time. Walking along the last couple of hundred meters through stones and trash, the division of the stream right at the mouth of the river attracted my attention.

frame_engineer by Alexander Schellow

frame_engineer by Alexander Schellow

A: But very concretely I was wondering… – at the end of the river – where it goes into the sea divides into two tracks actually. Is there any technical reason why it is done like this. Like the last part, the last maybe 500 meters or a bit more, 1km, I don’t know…

Engineer: Yes, this was a mistake of… eh -

A: It was a mistake? That’s kind of funny. It is quite a huge mistake out of concrete…

Engineer: You mean the two -

A: – the two channels. Because in fact it looks quite dysfunctional.

Engineer: It is! And with this division, it makes it harder to avoid flooding, especially with heavy rains. You know the engineers for the highway thought that with this construction, their life would be easier and it was actually built before some of the hydraulic studies had reacted – but at the time the analyses had been done, this portion had already been built. These 500 meters. The initial study was planned for the beginning of the construction-period, but it didn’t end up happening until after.

A: So it means the builders were in so much of a hurry that they just built and didn’t wait to speak with the experts before proceeding? To decide this kind of… – wow, that makes sense.

Engineer: At least fortunately, it is only for this part…

Melding Stories: Meet Maro

When I  think about Nero, I think about clean and dirty, transparent and blurry, pristine and dull.
I’m going to create a conceptual and symbolic installation of what Nero (water in Greek) means for me.  A human being with an expiration date!

When I had my daughter 14 years ago, I was so nervous that she was going to inherit my “monstrous dirty” side, and that I couldn’t be completely pure and transparent just for her, or for me.  This caused many problems for me in my everyday life, as well as in the relations I built with my surroundings. Even if that sounds cliché, I had to accept and face my “dirty” side, even if sometimes my fantasy was “telling” me that this was taking over my body-soul.

L'amore by Maro Michalakakos

L'amore by Maro Michalakakos

The hardest part is that I have to admit that I’m not going to be here forever and I must have the strength to continue to live and create.blog

What I think is very symbolic is the absence of toilets during the period of Louis XIV in Versailles.  I would really like to focus on this idea because I strongly believe that the level of civilization is reflected in how we manage our waste.  It’s a way to show how we respect and accept…that after us, other people will come.  The procedure we use for our biologic waste and the consequence for the city’s garbage reflects our position in the world.

l'amore by Maro Michalakakos

l'amore by Maro Michalakakos

Maro Michalakakos is one of the main artists of Project Nero.

Ai Wei Wei exhibitions featured by our partner Ikono.tv

May 12 – June 26, 2011

Somerset House, London

Ai Weiwei – Circle of Animals / Zodiac Heads

Chinese artist Ai Weiwei’s work is the first ever contemporary art sculpture to go on display in the historic courtyard of Somerset House. It is also the first major outdoor public sculpture installation by the artist in London.

3 May- 16. July, 2011

Lisson Gallery, London

Ai Weiwei – Various Works

Ai Weiwei is one of the leading cultural figures of his generation and consistently displays great courage in placing himself at risk to affect social change through his art. He serves as an example for legitimate social criticism and free expression both in China and internationally.

Source: Ikono.tv

Melding Stories: Meet Stavros

Optimistic, adventurous, daring dreamers.
The first time I heard about their plans, I wanted to meet them. When we met, I was thrilled of their sparkling enthusiasm. You need fire to fight fire. Art is a powerful medium to motivate and unite not only artists, but other people as well for a common cause such as facing environmental issues.
I’m embracing their vision and helping their efforts as much as I can and I hope MELD will be a success!

Fingers crossed for the first project “Nero”, Kiffisos River, Athens, Greece.
Stavros Kypraios
Graphic Designer & Illustrator
www.faze.gr

De-constructing the Kifissos: Behind the scenes of Arif

When we first spoke about your practice, you told us that you never sketch or write when you visit a place, but rather depend solely on your senses; sight, smell, hearing, etc, and thus your memory. When you visited the area of Kifisou/Iera Odos, for example, it seems that you experienced a bit of sensory overload…the limited space, the loud passing cars, the heavy air… When you tap back into a memory, does it always come naturally, as if your senses become re-triggered or brought back to life, or do you ever struggle to remember?

Alexander Schellow: This requests a different answer for different projects. In the case of the Kifissos-search, I mostly follow(ed) a certain self-dynamic of the memorizing-process. As before: following an associative walk-path. It is true that in a situation like the one, where Kifisou and Iera Odos meet, an overkill happens in terms of speed, pressure, sound. But the relational system of perception is complicated. A context like that might even lead to a more focused, or to say it another way, a more subtractive structure of attention. Accordingly, images reconstructed might be more clear in their architecture. Or they might not. Anyhow I would possibly describe the very inner circle of the situation – on the traffic-island around Arif and his colleagues – as being defined by a certain stillness. Its quality is hard to express.

You have spent numerous hours alongside the Kifissos River and it’s clear that it has become a home for many immigrants from different countries around the world. Given you’ve spent a great deal of time in immigrant communities for other various projects in the past, as well as ours, what was it about Arif from Bangladesh that made you feel his story was important to tell via Project Nero?

Alexander Schellow: Well, others appear as well in the project. Still, somehow, I experienced the way Arif and the others used this fold of the urban landscape within their lives in a very particular way – saying that without any romanticism, concerning the immense pressure that their living-situation is putting on them. If I write that, I am more referring to a specific attitude that I attach to them looking back within the recollection-process. There is, for instance, a level of sobriety in the way they speak about their daily practice, that at first glance, stands in a sort of violent opposition to their immediate sourrounding and to their status within Greek society. So beside a personal attachment that grew over time, for me their system, in a strange way and with all obvious caveats, became like a particular modelcase of certain larger-scale social and economic structures.

Melding Stories: Meet Maria Kaliabetsou

I write stuff. I create digital concepts. I capture moments with my camera and I am a blogger. I post what I do in my private virtual space for people to see and provide their feedback. Sometimes the feedback becomes more important than the piece itself. Interaction has been very important to me because I believe that experience not communicated is like experience that has never happened.

Lately, I feel frustrated and angry with what the world is coming to be and its’ accelerated pace to a dark place. Self-healing and self-improvement through creative expression and self-awareness, somehow, does not stand up to the circumstances. The decision makers of this world are not sharing the same processes, it seems…Paul Gauguin once said that art is either plagiarism or a revolution. And I could not agree more.

Enter Meld: A cultural platform for collective expression and a common goal to improve the world through genuine ideas that rock the boat. I am all for that. The timing could not be better for cultural voices to join forces. And art as revolution is needed now, more than ever. It is a crucial time for Minds to take over the matters.

Maria Kaliabetsou’s blog: http://thedawkinsonsyndrome.blogspot.com
The slideshow above is Maria Kaliabetsou’s work on Flickr